Region/Concept: East Asia, Space
Sub-Concepts: Mapping, Urbanization, Dislocation, Geoscape, Ancient, Phantom
Description: Chinese artist Yang Yongliang creates industrial dystopias in shan shui landscapes.
Theory: Stitching innumerable series of electric pylons and half-built/half-demolished high-rises, for the eye yearns to see graceful contours of a mountainous landscape. The wrecking force of a developmental power that only knows creating, building, making, raising, multiplying—a menacing positivity threatening the natural environment with its own relentlessly reproductive nature. The micro-twitchings of an eye compiling. Algorithms thriving on indeterminacy. Computational landscapes fecund with affect. Natural perception nothing more than primal projection of reality—“there are only relinkages subject to the cut”—Taoism’s pure perception sees through contrast and past juxtaposition to pierce the emptiness of what is—“instead of cuts subject to the linkage.”
Posted by: Una Chung